A Place to Come To: Discover the Art Institute of Chicago

Where to See Skilled Handwork

The early years of PieceWork magazine included a column titled “A Place to Come To: Where to See Skilled Handwork.” Editors and contributors invited readers to join them as they explored exhibitions from handwork collections far and wide. The very first place to come to, in the March/April 1993 issue, was the small Litchfield Historical Society in Connecticut—still going strong, by the way. Over the years we readers traveled along from Nebraska’s Stuhr Museum of the Prairie to the Poldi Pezzoli Museum in Milan, Italy, and from the Folk Museum in Asheville, North Carolina, to the needlework mother lode at the Victoria and Albert Museum in London.

I loved these invitations to visit an exhibition, to be connected to and learn from a specific place and moment in time, pleased or startled at the relevance to my own life. As a tribute to those early columns of PieceWork and to historical societies, museums, and handwork collections around the world, I wanted to update “A Place to Come To.” Starting off the first of this new monthly series is an exhibition at the Art Institute of Chicago: On Loss and Absence: Textiles of Mourning and Survival. It seemed appropriate as we prepare to honor, or celebrate, that time of year when the veil may be thinnest between the living and the dead.

On Loss and Absence

On Loss and Absence: Textiles of Mourning and Survival was curated by four artists affiliated with the School of the Art Institute of Chicago. The Institute holds one of the most significant textile collections in the country, spanning 5 continents and 3,000 years. Drawing mostly from this collection, the exhibition presents more than 100 objects from diverse cultures and time periods, from ancient fragments to contemporary artwork, illustrating textiles’ role in life’s most important rites of passage.

The exhibition is organized in four galleries, each with a distinct theme: death and mourning, transition of realms, care, and resistance and survival. Each gallery reveals how textiles have held deep significance in how humans experience death, grief, and healing. From burial shrouds to keepsakes that preserve the memory of those we’ve lost, cloth has been a constant presence in life’s most profound transitions.

Death and Mourning

Mourning Sampler, about 1810. Made at Mary Blach’s School, Providence. Silk, satin weave; embroidered with silk, silk chenille, and human hair. 42.2 × 58.8 cm (16 1/2 × 23 1/8 in.) The Art Institute of Chicago, Department of Textiles Collection. 1971.146

Textiles have long held an important place in rituals of death and mourning. Across cultures, the deceased are often wrapped or clothed in fabric as a way to honor, preserve, and protect them in burial. For the living, textiles can offer comfort and solace in times of loss. Acts of mourning have also inspired distinctive forms of memorial art, such as embroidered mourning samplers and Victorian jewelry that sometimes includes the hair of the departed.

Transition of Realms

Ogboni Chief’s Wrapper, early to mid-20th century. Iwo Yoruba; Nigeria. Cotton, indigo dyed; sixteen strips of plain weave; embroidered with wool; edged with cotton fringe 162.5 × 275.6 cm (64 × 108 1/2 in.); Approximate strip: W.: 10 cm (4 in.)

In many cultures and belief systems, death is seen not as an end but as a transformation—an entry into a new existence, a rebirth, or a passage to another realm such as the afterlife, paradise, the heavens, or the world of ancestors. The imagery on the Yoruba Ogboni chief’s textile, for example, symbolizes the passage between the physical and spiritual worlds. Whether hung on walls, worn, or used in ritual and ceremonial contexts, textiles have long served to sustain and strengthen connections between different realms and states of being.

Care

Talismanic Tunic, mid- to late 20th century Djenné or Tombouctou, Mali Handspun cotton, strip weave, pigment, and ink 94 × 81.3 cm (37 × 32 in.) The Art Institute of Chicago, Elizabeth M. Schultz Endowment Fund 2023.3242

In many ways, textiles offer care, comfort, and protection. A blanket brings warmth and reassurance in times of illness, while clothing shields us from the elements and can even serve as spiritual protection, as seen in the talismanic tunic from Mali. In times of grief, everyday textiles can take on deeper significance, becoming cherished reminders of those we have lost.

Resistance and Survival

Espiral Escalonada Motif Fragment, 200–500 Nasca; south coast, Peru. Camelid wool and cotton, plain weave of discontinuous single interlocking warp and weft, scaffold weave (espiral escalonada, 'stepped-fret' motif) 51.8 × 32.7 cm (20 3/8 × 12 7/8 in.) The Art Institute of Chicago, purchased with funds provided by Mrs. Edwin A. Seipp. 1956.76

Destructive forces like genocide, displacement, and war endanger not only human lives but also cultural practices, artistic traditions, and collective knowledge. This gallery pays tribute to those who, even in the face of such hardship, have preserved and adapted their textile traditions, turning them into powerful acts and symbols of resistance. Both textiles and the skills behind them—like their makers and cultures—survive and thrive.

On Loss and Absence runs through March 15, 2026. Visit the Art Institute of Chicago to learn more about its exhibition and its collection. Visit the PieceWork Library to discover our collection of stories, patterns, and past issues.

Know of an upcoming exhibition we should share? Write to us here! We always love hearing from you.