Knits In Time

I remember many years ago standing in front of a glass case in a London museum, looking down at precise handwriting in a simply bound small book, and thinking "Wow, that looks like my handwriting!" and discovering that it was Jane Austen's. Oh my, I was looking at Jane Austen's thoughts, scratched onto paper, centuries earlier. I had just spent a week traveling around England, visiting textile workshops, apothecary shops, antique bookstores, pubs, graveyards, tea shops, English gardens, museums, and outdoor markets and marveling at the number of sheep everywhere. It was heaven on earth, and this was before my Jane Austen obsession was full-blown.

One of the great things about working on Jane Austen Knits was imagining a time when every garment, pillow, quilt, carriage rug, lace trim, curtain that a person came into contact with was made by hand—and not only that, but each also was handspun and naturally dyed. If I had a chance to travel into one of Jane Austen's novels like the heroine in the recent TV series, Lost in Austen, I would have spent less time asking Mr. Darcy to swim in a pond and more time examining the textiles.