A Shawl Based on a Weldon’s Veil Pattern to Knit

It’s no mystery why Weldon’s Practical Needlework continues to fascinate and inspire needleworkers in the modern age: the attention to design, detail illustrations, and the charming Victorian-era instructions make it a delight to page through. Carolyn Wyborny used a veil pattern from Volume 5 of Weldon’s as the bases for her crescent shawl featured in the May/June 2018 issue of PieceWork.

Here’s Carolyn to tell us more.

I’ve often felt like I belong to an earlier time than that into which I was born. I love fifties- and sixties-era clothing as well as Victorian-era needlework pieces and furnishings in all their frilly glory. When I was given a set of the Weldon’s Practical Needlework facsimile editions, I couldn’t stop oohing and aahing over the beautiful needlework, much of it forgotten or ignored now. I’m always looking for a new edging or stitch pattern to inspire a new project and to keep that classic and beautiful needlework alive and contemporary, and every time I pick up and look through my Weldon’s set, I find new inspiration.

For this project, I wanted to create a lace-bordered shawl in the wide crescent shape that is so popular now, but with a lace pattern in the body instead of the solid fabrics shown in many patterns. Additionally, I wanted the construction to be a single piece worked in one direction to make it suitable for a gradient-dyed yarn.

Carolyn Wyborny’s captivating shawl in luxurious merino/silk yarn will delight. Photos by George Boe.

Materials

• Hazel Knits Filigree Silk, 50% merino/50% silk yarn, laceweight, 800 yard (731.5 m)/100 gram (3½ oz) skein, 1 skein of White Winged Dove
• Needle, size 6 (4 mm), circular 32 inches (80 cm) or longer to accommodate the large number of sts
• Stitch markers

Finished size: About 58 inches (147 cm) wide by 16 inches (41 cm) deep, after blocking

Because her family was traditional, in that all the women did needlework, Carolyn Wyborny has been crocheting, knitting, and tatting since she was very young. She works as a software engineer for a large high-tech company but spends most of her free time coding up knitting and crochet designs. She lives west of Portland, Oregon, with her husband, two children, and several pets.

To cast on Carolyn’s stunning shawl, download a copy of the May/June 2018 issue. Read more about Victorian-style lace in “A Victorian Lace Square to Appliqué and Embroider.”