PieceWork · No. 2
PieceWork Winter 2019
The Winter 2019 issue of PieceWork celebrates makers past, present, and future who do all this by hand.
Loading the latest stories…
PieceWork · No. 2
The Winter 2019 issue of PieceWork celebrates makers past, present, and future who do all this by hand.
Patterns, stories, and extras printed in PieceWork Winter 2019.
Travel back in time with these inspiring samples! What would you make with the stitch patterns?
Virginia Woods Bellamy discarded traditional knitting measurements for geometrical principles.
Nancy Bush’s circular capelet is a different shape from a traditional knitted-lace shawl or scarf from Haapsalu, but this modern interpretation still includes the iconic nupps.
This design is entirely worked in long-arm cross-stitch, the most common stitch found in the extant traditional embroideries of Iceland.
Re-creating a Bjärbo sweater was a knitting challenge. But for Mimi Seyferth, it was also a way to honor Rita Riffolt Varney and her pride in her Swedish heritage.
Deciphering the language of Estonian-lace knitting, Nancy Bush explains the subtle, and not so subtle, differences between "rebellious" and true Haapsalu shawls.
Notre-Dame shines as an example of early Gothic structure with its massive flying buttresses that offset the weight of the tall walls.
Learn about upcoming textile exhibitions and events.
Weave-along project downloads from PieceWork Winter 2019, ready in the Library.
Indexed from PieceWork Winter 2019, in page order.
This design is entirely worked in long-arm cross-stitch, the most common stitch found in the extant traditional embroideries of Iceland.