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Showing 1–13 of 13 results for “A Place to come to”

ArticleA Place to Come To: Discover the Art Institute of Chicago We’re launching a new monthly series spotlighting inspiring exhibitions and collections. First up is "On Loss and Absence: Textiles of Mourning and Survival." Come along as we visit the galleries.

Inside the magazines

19 PieceWork issues mention “A Place to come to” on 520 pages — matched by meaning, not just keywords.

PieceWork May/June 19942 pages
- Page 10A PLACE TO COME TO Jude Daurelle Gathering in Utah: Pioneer Memorial Museum, International Society, Daughters of Utah
- Page 85is in the collection of the Grant- Kohrs Ranch near Deer Lodge, Montana (see "A Place to Come To," January/February 1994, page 8). While wintering a band of sheep for Conrad Kohrs
PieceWork May/June 19962 pages

Article

Craft and Self-Discovery: Inside “The Art of Being” Exhibition

For the second installment in our “A Place to Come To” series, we turn to Multicolores. This nonprofit association of Maya women in Guatemala offers programs that encourage artistic development, self-discovery, and economic empowerment.

ArticleCelebrating the Art of Chinese Patchwork: One Hundred Stitches, One Hundred Villages Discover a hidden tradition at the newest exhibition at the Museum of Fine Arts, Boston. It’s the latest destination in our A Place to Come To series, highlighting remarkable exhibitions and collections.

ArticleDiscover a Digital Home for Knitting and Crochet HistoryThe Center for Knit and Crochet is building a free, open-access digital museum where collections big and small, famous and personal, finally have a home.

ArticleAmerican Girlhood: Needlework, Memory, and the Making of a NationA new exhibition at the Webb Deane Stevens Museum gathers early American needlework to show how girls used needle and thread to record their worlds, often in ways history has only just begun to recognize.

ArticleThe Surviving Threads of Orvieto's Handmade Lace and the Art They PreserveDiscover the crochet lace of Orvieto, Italy, a fragile inheritance of skill, memory, and place, preserved against the pull of time.

ArticleThe Spirit of Mending: Boro at the International Quilt MuseumA new exhibition reveals how Japanese makers extended the life of indigo textiles through the art of piecing and mending.

ArticleWhere Craft, Culture, and Community MeetFounded on the idea that art lives in daily life, the Mingei Museum honors the creativity of ordinary makers.

eBookFor All Access membersLadies' Needlework, Knitting Tales and Poetry: A Melange of Instructions and Amusement eBookThe 17 patterns range from edgings and insertions to doilies, from an opera cap to an antimacassar, and more, all as originally printed.

AuthorBrenna A. Barks

AuthorMelinda A. Barta

AuthorLauren A. Ramsey

AuthorA. K. Fielding

Page 68capital city o f Ottawa, Ontario. (For more about the m u seum, see “A Place to Come To,” Septem b e r / October 1993.) T he people o f these three
Page 72Land” at the Canadi an Museum o f Civilization in Hull, Quebec, Canada (see “A Place to Come To,” page 66) are as distinct from one another as the in digenous cultures

PieceWork July/August 19961 page▾

Page 62t i A PLACE TO COME TO H Deborah Pulliam U S E U M LO ND O N T

PieceWork January/February 19971 page▾

Page 50o r i a l M u s e u m . The museum (see " A Place to Come To," M a y / June 1994) houses artifacts that were owned, used, or created

PieceWork November/December 20021 page▾

Page 36doll named Koko. All were given to London’s Bethnal Green Museum of Childhood (see “A Place to Come To,” Pi ECE Wor K , September/ o ctober 1997 and the sidebar on page

PieceWork July/August 20021 page▾

Page 36needlework skills that had been taught in ladies’ academies in Litchfield and elsewhere (see “A Place to Come To,” P I e C eWork , March/April 1993) in the late eighteenth and early

and 13 more issues.Search every magazine page for “A Place to come to”